[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.13.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_header text_orientation=”center” background_overlay_color=”rgba(0,0,0,0.6)” logo_image_url=”https:\/\/webjornalismo.unicap.br\/cineastaspernambucanas\/wp-content\/uploads\/2021\/11\/logo-branca.png” _builder_version=”4.13.0″ _module_preset=”default” background_video_mp4=”https:\/\/webjornalismo.unicap.br\/cineastaspernambucanas\/wp-content\/uploads\/2021\/11\/video-bg.mp4″ background_video_width=”1280″ background_video_height=”720″ custom_padding=”25vh||25vh||true|false” global_colors_info=”{}”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Abre” _builder_version=”4.14.1″ _module_preset=”default” background_color=”#a74a9c” custom_margin=”||||false|false” custom_padding=”10vh||10vh||true|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.14.1″ _module_preset=”default” width=”45%” width_tablet=”80%” width_phone=”80%” width_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.13.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.14.1″ _module_preset=”default” header_font_size=”50px” text_orientation=”justified” background_layout=”dark” global_colors_info=”{}”]<\/p>\n
A inser\u00e7\u00e3o das mulheres no mercado de trabalho aconteceu tardiamente no mundo todo, apenas por volta do in\u00edcio do s\u00e9culo XX, e mesmo d\u00e9cadas depois ainda existem diversas \u00e1reas com destaque predominantemente masculino, como \u00e9 o caso do audiovisual. Essa realidade se mostra na constante tentativa das cineastas pernambucanas em garantir seu espa\u00e7o nesse ramo, porque mesmo depois de v\u00e1rias conquistas essas profissionais se veem desvalorizadas e em constante busca por investimentos nos seus filmes.<\/p>\n
Aqui em Cineastas Pernambucanas: em busca de espa\u00e7o no cinema nacional, voc\u00ea vai conhecer a hist\u00f3ria das mulheres no cinema pernambucano, contada pelas cineastas, equipe de apoio e pela cr\u00edtica. Vai atravessar as gera\u00e7\u00f5es, ver quem s\u00e3o grandes pernambucanas da \u00e1rea, escutar o que as mais jovens t\u00eam a dizer sobre o cen\u00e1rio atual e futuro do cinema e assistir trechos de trabalhos realizados por essas mulheres.<\/p>\n
Navegando pelo site voc\u00ea vai entender por que as cineastas pernambucanas merecem ter seu espa\u00e7o garantido no cinema nacional.<\/p>\n
Por Nat\u00e1lia Aguiar<\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” disabled_on=”off|off|off” admin_label=”Timeline” _builder_version=”4.14.1″ background_enable_color=”off” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.14.1″ text_font=”|600|||||||” text_line_height=”1.8em” header_2_font=”|700||on|||||” header_2_font_size=”50px” header_4_font=”||||||||” header_4_text_color=”#a74b9c” header_4_line_height=”1.4em” header_2_font_size_tablet=”60px” header_2_font_size_phone=”35px” header_2_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”14px” header_4_font_size_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n A hist\u00f3ria do cinema pernambucano costuma ser contada em gera\u00e7\u00f5es e ciclos, cada uma com suas caracter\u00edsticas, estilos e valores. A seguir, conhe\u00e7a um pouco sobre cada um desses ciclos, com a \u00eanfase na participa\u00e7\u00e3o de mulheres na dire\u00e7\u00e3o:[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ specialty_columns=”2″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.13.0″ custom_padding=”|||30px|false|false” border_color_all=”#a74b9c” border_width_left=”2px” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_blurb title=”Anos 20″ use_icon=”on” font_icon=”^||divi||400″ icon_color=”#a74b9c” icon_placement=”left” image_icon_width=”40px” content_max_width=”100%” _builder_version=”4.14.1″ header_level=”h5″ header_font=”|||on|||||” header_text_color=”#a74b9c” header_line_height=”1.4em” body_font=”|600|||||||” body_font_size=”20px” body_line_height=”1.8em” custom_margin=”|||-51px|false|false” body_font_size_tablet=”18px” body_font_size_phone=”16px” body_font_size_last_edited=”on|phone” icon_font_size=”40px” locked=”off” global_colors_info=”{}”]<\/p>\n 1\u00aa Gera\u00e7\u00e3o: Ciclo do Recife<\/p>\n [\/et_pb_blurb][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.14.1″ text_font=”|600|||||||” text_line_height=”1.8em” locked=”off” global_colors_info=”{}”]<\/p>\n A cria\u00e7\u00e3o em audiovisual em Pernambuco surgiu na d\u00e9cada de 1920, marcada pela produ\u00e7\u00e3o com recursos pr\u00f3prios, apropria\u00e7\u00e3o da linguagem, montagem, hist\u00f3ria e c\u00e2mera dos cl\u00e1ssicos americanos. Nessa \u00e9poca, os profissionais exerciam outros tipos de trabalhos e s\u00f3 aceitavam uma mulher trabalhar com cinema diante da vigil\u00e2ncia dos pais ou do marido. Portanto, ocuparem o lugar da dire\u00e7\u00e3o n\u00e3o era algo prov\u00e1vel. Para se ter uma ideia, a entrada da atriz Almery Steves no ciclo trouxe grande julgamento, tanto que ela s\u00f3 se firmou no mercado ap\u00f3s seu casamento com Ary Severo.<\/p>\n [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Leia Mais” _builder_version=”4.14.1″ _module_preset=”default” custom_padding=”0px||30px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.14.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.14.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”#reveal” button_text=”EXPANDIR” button_alignment=”center” module_class=”rv_button closed” _builder_version=”4.14.1″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”gcid-777de84f-6515-4663-a7ca-94c94d9f8e9e” button_border_radius=”6px” custom_padding=”10px|10vw|10px|10vw|true|true” global_colors_info=”{%22gcid-777de84f-6515-4663-a7ca-94c94d9f8e9e%22:%91%22button_bg_color%22%93}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” disabled_on=”off|off|off” admin_label=”Timeline” module_id=”reveal” _builder_version=”4.14.1″ background_enable_color=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”2_3″ specialty_columns=”2″ _builder_version=”3.25″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.0.10″ custom_padding=”|||30px|false|false” border_color_all=”#a74b9c” border_width_left=”2px” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_blurb title=”Anos 70 e 80″ use_icon=”on” font_icon=”^||divi||400″ icon_color=”#a74b9c” icon_placement=”left” image_icon_width=”40px” content_max_width=”100%” _builder_version=”4.14.1″ header_level=”h5″ header_font=”|||on|||||” header_text_color=”#a74b9c” header_line_height=”1.4em” body_font=”|600|||||||” body_font_size=”20px” body_line_height=”1.8em” custom_margin=”|||-51px|false|false” body_font_size_tablet=”18px” body_font_size_phone=”16px” body_font_size_last_edited=”on|phone” icon_font_size=”40px” locked=”off” global_colors_info=”{}”]<\/p>\n 2\u00aa Gera\u00e7\u00e3o: Ciclo Super 8<\/p>\n [\/et_pb_blurb][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.14.1″ text_font=”|600|||||||” text_line_height=”1.8em” locked=”off” global_colors_info=”{}”]<\/p>\n Nesse per\u00edodo foram produzidos mais de 200 filmes. O Super 8 contava com or\u00e7amentos mais baixos, equipamentos mais baratos, possibilitando, assim, que cineastas conseguissem bancar seus filmes e captar, montar e revelar de forma caseira. K\u00e1tia Mesel \u00e9 a mulher de maior destaque entre os diretores dessa gera\u00e7\u00e3o, com seu filme El Barato<\/em> (1972).<\/p>\n [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.0.10″ custom_padding=”|||30px|false|false” border_color_all=”#a74b9c” border_width_left=”2px” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_blurb title=”Dos anos 90 a 2007″ use_icon=”on” font_icon=”^||divi||400″ icon_color=”#a74b9c” icon_placement=”left” image_icon_width=”40px” content_max_width=”100%” _builder_version=”4.14.1″ header_level=”h5″ header_font=”|||on|||||” header_text_color=”#a74b9c” header_line_height=”1.4em” body_font=”|600|||||||” body_font_size=”20px” body_line_height=”1.8em” custom_margin=”|||-51px|false|false” body_font_size_tablet=”18px” body_font_size_phone=”16px” body_font_size_last_edited=”on|phone” icon_font_size=”40px” locked=”off” global_colors_info=”{}”]<\/p>\n 3\u00aa Gera\u00e7\u00e3o: Ciclo do Manguebeat<\/p>\n [\/et_pb_blurb][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.14.1″ text_font=”|600|||||||” text_line_height=”1.8em” locked=”off” global_colors_info=”{}”]<\/p>\n Essa gera\u00e7\u00e3o foi fortemente influenciada pelo movimento do Manguebeat e teve um aporte para a cria\u00e7\u00e3o fomentada pela aprova\u00e7\u00e3o da Lei Rouanet, em 1991. Na \u00e9poca cresceu o n\u00famero de curtas e cada vez mais mostrava-se a for\u00e7a das produ\u00e7\u00f5es locais.<\/p>\n Entre alguns nomes de peso da gera\u00e7\u00e3o est\u00e3o: Adelina Pontual, com Cacha\u00e7a<\/em> (1995), O Pedido<\/em> (1999) e V\u00e9io<\/em> (2005), e Luci Alc\u00e2ntara, com Quarto de Empregada<\/em> (1995) e Restaurante Leite<\/em><\/a>, <\/a>Receita de Tradi\u00e7\u00e3o<\/em><\/a> (2001).<\/p>\n [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.0.10″ custom_padding=”|||30px|false|false” border_color_all=”#a74b9c” border_width_left=”2px” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_blurb title=”2008 – 2015″ use_icon=”on” font_icon=”^||divi||400″ icon_color=”#a74b9c” icon_placement=”left” image_icon_width=”40px” content_max_width=”100%” _builder_version=”4.14.1″ header_level=”h5″ header_font=”|||on|||||” header_text_color=”#a74b9c” header_line_height=”1.4em” body_font=”|600|||||||” body_font_size=”20px” body_line_height=”1.8em” custom_margin=”|||-51px|false|false” body_font_size_tablet=”18px” body_font_size_phone=”16px” body_font_size_last_edited=”on|phone” icon_font_size=”40px” locked=”off” global_colors_info=”{}”]<\/p>\n 4\u00aa Gera\u00e7\u00e3o: O Novo Ciclo do cinema pernambucano<\/p>\n [\/et_pb_blurb][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.14.1″ text_font=”|600|||||||” text_line_height=”1.8em” locked=”off” global_colors_info=”{}”]<\/p>\n A gera\u00e7\u00e3o \u00e9 marcada por grupos que atuam de maneira colaborativa e que buscam um cinema autoral. Foi aqui que surgiram novas tem\u00e1ticas expostas nos filmes.<\/p>\n Amor, Pl\u00e1stico e Barulho<\/em> (2014) consagrou Renata Pinheiro como um dos principais nomes desse per\u00edodo. A cineasta Nara Normande faz parte essencial dessa gera\u00e7\u00e3o, com seus primeiros trabalhos, como Sem Cora\u00e7\u00e3o (Heartless)<\/em>.<\/p>\n [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner column_structure=”1_2,1_2″ _builder_version=”4.0.10″ custom_padding=”|||30px|false|false” border_color_all=”#a74b9c” border_width_left=”2px” global_colors_info=”{}”][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_blurb title=”2016 – …” use_icon=”on” font_icon=”^||divi||400″ icon_color=”#a74b9c” icon_placement=”left” image_icon_width=”40px” content_max_width=”100%” _builder_version=”4.14.1″ header_level=”h5″ header_font=”|||on|||||” header_text_color=”#a74b9c” header_line_height=”1.4em” body_font=”|600|||||||” body_font_size=”20px” body_line_height=”1.8em” custom_margin=”|||-51px|false|false” body_font_size_tablet=”18px” body_font_size_phone=”16px” body_font_size_last_edited=”on|phone” icon_font_size=”40px” locked=”off” global_colors_info=”{}”]<\/p>\n 5\u00aa Gera\u00e7\u00e3o: Ciclo Atual<\/p>\n [\/et_pb_blurb][\/et_pb_column_inner][et_pb_column_inner type=”1_2″ saved_specialty_column_type=”2_3″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.14.1″ text_font=”|600|||||||” text_line_height=”1.8em” locked=”off” global_colors_info=”{}”]<\/p>\n A partir daqui, Pernambuco se confirma como um dos principais polos geradores de filmes do Brasil, com grande participa\u00e7\u00e3o em festivais brasileiros e internacionais, com o pontap\u00e9 de Aquarius,<\/em> de Kl\u00e9ber Mendon\u00e7a Filho, e o mais recente de Renata Pinheiro, Carro Rei<\/em>. O momento atual contempla outras diretoras, como Dea Ferraz, Tuca Siqueira, Gabriela Alc\u00e2ntara, Yane Mendes, Any Stone e tantas outras.<\/p>\n [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.14.1″ _module_preset=”default” background_color=”#f1ccff” use_background_color_gradient=”on” background_color_gradient_start=”#ededed” background_color_gradient_end=”#f1ccff” background_enable_image=”off” background_size=”contain” background_position=”top_left” custom_padding=”0px||0px||false|false” background_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_row column_structure=”3_5,2_5″ make_equal=”on” _builder_version=”4.14.1″ _module_preset=”default” use_background_color_gradient=”on” background_color_gradient_start=”#ededed” background_color_gradient_end=”#f1ccff” background_image=”https:\/\/webjornalismo.unicap.br\/cineastaspernambucanas\/wp-content\/uploads\/2021\/12\/bg-materia2E.png” background_size=”contain” background_position=”top_left” background_blend=”darken” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” background_last_edited=”on|tablet” background_enable_image_tablet=”off” background_enable_image_phone=”off” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.14.1″ _module_preset=”default” background_enable_image=”off” background_size=”contain” background_position=”top_left” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.14.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.14.1″ _module_preset=”default” custom_margin=”10vh||40px||false|false” global_colors_info=”{}”]<\/p>\n \u00c9 ineg\u00e1vel a efervesc\u00eancia art\u00edstica existente em Pernambuco. Da m\u00fasica \u00e0s dan\u00e7as, festas e tradi\u00e7\u00f5es: o estado respira cultura. Hoje, ele \u00e9 visto como um importante polo cinematogr\u00e1fico e cultural, al\u00e9m de ter grande reconhecimento no cen\u00e1rio cinematogr\u00e1fico com filmes como\u00a0<\/span>Aquarius\u00a0<\/span><\/em>e\u00a0<\/span>Bacurau<\/em>, de Kleber Mendon\u00e7a Filho. A vivacidade e a for\u00e7a do audiovisual pernambucano depende do trabalho de milhares de pessoas, de todas as idades, g\u00eaneros e cores. Apesar disso, as mulheres ainda se veem em situa\u00e7\u00f5es em que s\u00e3o menosprezadas e diminu\u00eddas dentro desse mercado.<\/span><\/p>\n [\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjM1MyJ9fQ==@” button_text=”LER MAIS” button_alignment=”right” _builder_version=”4.14.1″ _dynamic_attributes=”button_url” _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#FFFFFF” button_bg_color=”gcid-777de84f-6515-4663-a7ca-94c94d9f8e9e” button_border_radius=”6px” custom_margin=”||10vh||false|false” custom_padding=”10px|30px|10px|30px|true|true” locked=”off” global_colors_info=”{%22gcid-777de84f-6515-4663-a7ca-94c94d9f8e9e%22:%91%22button_bg_color%22%93}”][\/et_pb_button][et_pb_image src=”https:\/\/webjornalismo.unicap.br\/cineastaspernambucanas\/wp-content\/uploads\/2021\/12\/bg-materia2C.png” title_text=”bg-materia2C” disabled_on=”off|off|on” _builder_version=”4.14.1″ _module_preset=”default” width=”130%” custom_margin=”-60px|-62px|0px|0px|false|false” custom_margin_phone=”|0px||-40px|false|false” custom_margin_last_edited=”off|phone” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Elas” module_id=”quemsaoelas” _builder_version=”4.14.1″ _module_preset=”default” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.14.1″ _module_preset=”default” background_color=”#efefef” width=”100%” max_width=”2560px” custom_padding=”10vh||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.13.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.13.0″ _module_preset=”default” header_text_color=”#a74a9c” header_font_size=”50px” text_orientation=”center” background_layout=”dark” custom_margin=”40px||40px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][dgbm_blog_module post_type=”project” posts_number=”5″ show_excerpt=”off” show_categories=”off” show_author=”off” show_date=”off” show_pagination=”off” item_in_desktop=”5″ item_in_tablet=”3″ space_between=”0px” equal_height=”on” image_size=”default_image” image_scale_on_hover=”on” title_margin=”-13vh||||false|false” text_margin=”||||false|false” _builder_version=”4.14.1″ _module_preset=”default” title_text_color=”#FFFFFF” custom_css_title=”background-color:#a74b9c;||padding-left:10px;||padding-top:5px;||padding-bottom:5px;||max-width:70%” global_colors_info=”{}”][\/dgbm_blog_module][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Podcast” module_id=”podcast” _builder_version=”4.13.0″ _module_preset=”default” background_color=”#000000″ use_background_color_gradient=”on” background_color_gradient_start=”#ffffff” background_color_gradient_end=”#a5a5a5″ background_color_gradient_overlays_image=”on” background_image=”https:\/\/webjornalismo.unicap.br\/cineastaspernambucanas\/wp-content\/uploads\/2021\/11\/bg-podcast2.jpg” background_size=”initial” background_position=”center_right” background_blend=”multiply” custom_margin=”||||false|false” custom_padding=”30vh||30vh||false|false” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.13.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.13.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.13.0″ _module_preset=”default” text_font=”|600|||||||” text_line_height=”1.8em” header_2_font=”|700||on|||||” header_2_font_size=”50px” header_4_font=”||||||||” header_4_text_color=”#a74b9c” header_4_line_height=”1.4em” header_2_font_size_tablet=”60px” header_2_font_size_phone=”35px” header_2_font_size_last_edited=”on|phone” header_4_font_size_tablet=”20px” header_4_font_size_phone=”14px” header_4_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_code _builder_version=”4.14.1″ _module_preset=”default” global_colors_info=”{}”]Timeline<\/h4>\n
Gera\u00e7\u00f5es<\/h2>\n
Quem s\u00e3o elas?<\/h1>\n
Podcast<\/h4>\n
GRL PWR<\/h2>\n